Built on ideas from the Romanesque period: rib vaults, pointed arches, bay system and clerestories
Wanted to reach new heights (quest for HEIGHT and LIGHT)! Cities competed to build the grandest, tallest churches
Light is manifestation of God known as lux nova (new light)
Portal decoration within tympanum project more from walls (detaching from the wall): wanted to emphasize verticality
Cult of the Virgin (as heavenly queen) replaced a previous veneration of Eve, the great sinner
Illuminated manuscripts influenced by stained glass windows of Cathedrals
Saint-Denis is first fully Gothic structure in France, ambulatory is new focus
HISTORY to REMEMBER Early Gothic
Increase in centralized monarchy: between 987-1328 Paris was was a place of peace
Sales of charters = growth and wealth = increase of wealth to the king
Shift from agriculture to goods/services
Increase in schools: scholars and teachers transformed western thinking.
Late Gothic
Hundred Years' War (France vs. England 1337-1453) = decrease in economy and social growth
The Great Schism (1054 division between Eastern Orthodox Church and Catholic Church) not resolved until 1409
Black Death of 1348: 1/4-1/3 of population died! = architecture halted, artist depicted Black Death as a punishment from God = more conservation, reverted to earlier styles
Gothic CHARACTERISTICS Early Gothic: 1140-1194 (France)
Characterized by round columns in interior
Rib vaults start at ceiling but travel down only to top of columns
High Gothic, Rayonnant Gothic: 1194-1300 (France)
Rayonnant = "radiating"
Articulated columns in interior
Rib vaults travel from ceiling to floor
larger window space, choirs and chevets
Dissolution of wall space with use of stained glass windows
Late Gothic, Flamboyant Gothic: After 1300 (France)
Flamboyant = "flaming"
High decorative
A mass of pinnacles and tracery
Ogee arches
Perpendicular Gothic: After 1350 (England)
Constructed in a garden-like setting (inspired by cloisters)
Extremely pronounced central spires
Smaller flying buttresses and portals
Lower towers and wide screen-like facades (full of sculpture)
ENORMOUS window spaces interlaced with decorative vertical patterns of stone tracery